Overview
Landing a first role in fashion design means competing against graduates who all have portfolios, all know Illustrator, and all completed internships. The difference comes down to how you present your work on paper. Studio managers scanning through 100 applications want to see evidence that you can work within a real production pipeline, not just sketch beautiful designs.
This resume belongs to Aisling Murphy, a Fashion Design graduate from the University of Westminster. She interned at Rejina Pyo and showcased her final year collection at Graduate Fashion Week 2025. Her resume works because it connects creative output to measurable production contributions.
What Makes This Resume Work
The internship shows hands-on production involvement. Aisling does not just claim she "assisted the design team." She produced 40+ flat sketches, sourced 80 fabric swatches, and had one of her print designs selected for the final collection. Each bullet proves she contributed to the actual production process.
Graduate Fashion Week and press coverage add credibility. Being selected to show at GFW in front of 2,000 attendees is a competitive achievement. Having the collection featured in Dazed Digital and SHOWstudio adds industry validation that goes beyond a university grade.
Sustainability is woven into the work. Using 70% deadstock fabrics and winning a sustainability award shows Aisling is engaged with one of the most important conversations in fashion right now. This is not a buzzword on her resume; it is backed by specific material choices and an award.
Key Takeaways
When applying for junior fashion roles, your resume should show that you can move from concept to finished garment within a professional context. Count the sketches produced, fittings attended, and fabrics sourced. If your work has been shown publicly or written about, include those details. Fashion hiring managers want designers who can contribute to the studio from day one.
