Overview
Podcast production roles have exploded in the last few years, but the candidate pool has grown even faster. Media companies and brands want producers who can handle the full pipeline: research, guest booking, recording, editing, and distribution. A degree in media helps, but what really matters is whether you have actually produced something people listened to.
This resume belongs to Hannah Griffiths, a Media and Communications graduate from Cardiff University. She completed a placement at BBC Radio Wales and produced her own student podcast that reached 22,000 downloads. Her resume works because it proves she can produce audio content that reaches a real audience, not just complete coursework assignments.
What Makes This Resume Work
The BBC placement is packed with specifics. Hannah does not just say she "worked on radio shows." She names the number of guests booked (35), audio packages edited (40), and live broadcasts operated (18). Each bullet demonstrates a different aspect of production work, from research to post-production to live studio skills.
The personal podcast is treated as a serious credential. 32 episodes and 22,000 downloads is a legitimate track record. Reaching number 14 on the Apple Podcasts Education chart adds external validation. This tells a hiring manager that Hannah can produce content people choose to listen to, which is the entire job.
Customer service experience maps to transferable skills. Rather than ignoring her Admiral Insurance role, Hannah highlights call handling volume and her promotion to senior advisor. These demonstrate communication skills and reliability under pressure, both essential in live production environments.
Key Takeaways
If you want to work in podcast production, start producing now. Episode counts, download numbers, and guest bookings are the metrics that matter most on your resume. Student radio, university media outlets, and personal podcast projects all count as legitimate experience if you can show consistent output and audience engagement.
